
The contents heading is bold and striking,
however the font differs from that of the front cover, it may be that
the contents page has a particular style that Is followed in each issue. The date
of the issue is positioned directly under the heading; this is a very
important part of the magazine. The page seems to be divided into the rule
of thirds; this method has created three columns of which feature text and
images. The images within the left and right columns are of the same
size; this ensures the layout is clear for the readers. The images used
will relate to stories or articles included in the magazine. A short summary
or quote is positioned underneath for clarity and to gain more appeal from
the readers. Although the text attached to the images differs in style,
for example some is in capitals, italic, bold etc., the fact that the
rest of the layout is simple in terms of colour and positioning allows this to
work, and there is still clear navigation around the page and for the
rest of the magazine because everything else is simplistic and consistent. The main stories are seen on this page with their
page numbers overlapping, taking up a fraction of the image, they are bold
and larger than the text beneath them; this again adds to the clarity of
the layout and makes sure the navigation is easy for the readers – user
friendly.The centre
of visual interest would be the central image of Pete Doherty even
though the splash of red in the bottom corner does become a distraction.
Direct mode of address is given as he appears to be looking straight at the
camera; his weary and disillusioned expressions links with the comment of
needing more sleep, with bags under his eyes he appears a shady character. The background
is also very dull, waiting to reveal something brighter. The background colour of this magazine is plain and
allows creativity on the page; this has mostly been seen with the different
fonts used. All text is black, apart from what is included in the red box, so
that it can be seen clearly against the background. It is apparent that some of the images on this page have
been edited; this may have been done to relate to the music style of the
artists or to present them in a particular way. For example the image in the
top right hand corner is focusing on the individuals rather than the setting to
outline the vastness of people on tour. There may have been editing with
lighting to add clarity to the image. The advertisement is striking
as the vibrant colours red and yellow have not been featured anywhere
else on the page. Incentives are often included immediately on the front
cover and followed through to the contents page, they are deliberately made to
be eye-catching, this is usually a dominating factor people look for
when choosing their magazine.The extra list of content is included for added
interest and information about inside stories. Faint grey lines have been used to divide the page, this
keeps the layout organised. It could be suggested that the magazine aims to satisfy
people in late teens and above as the textual content is not suitable
for anybody younger. ‘You’re fucked’ is not language for tame individuals. The
content reflects the target audience of dominantly males
effectively.
The contents heading is written in serif font which
is clear and simple for readers. It is surrounded by a red box, outlined with
black and with the magazine name in white, sticking to the house colours.
Also the page numbers are large and bold, taking up a fraction of the images.
The bottom image is portrayed as less important due to its position however it
still grabs the attention as it is tilted creating the feeling of the image
coming out of the page. Cheryl Cole seems to be turning her body away but her
head is tilted slightly in towards the page but her eyes are looking down, seemingly to direct the readers to the image
below. Also the fact that we have no direct address, the element of
disguise is continued. The lighting has created shadows; the light is
directed from the other side, it seems as though something is drawing her in to
the page slightly, this directs the readers towards other features as the main
image is the first thing that is looked at. The element of danger is carried
through the magazine, her clothing being ripped and black and it appears to be
studs on her low cut top, also revealing her as a sex icon. Other artists are
featured on the right hand side of the page to add further interest and to
allow the readers to find specific articles to their preference without having
to read through the whole magazine, this is a people pleaser.
The black and white effect creates an element of mystery
which connotes something is yet to be discovered. This is also suggested as the
heart is the only object that is colourful on the page, the fact that a hand,
presumably a woman’s, is grabbing it from behind, portrays Kanye as being in a
vulnerable position, maybe the article features shows that beneath the surface
his heart and emotions are fragile. This is also reflected in the cover lines
of the front cover ‘the truth hurts’. The layout for this contents page is bold
and simplistic the main attraction is the main image which is clearly artistic
and is set in-front of the V from the magazine name; the editors may be
suggesting that Kanye is their ideal icon for the genre of the magazine. This contents
page contrasts with the splash of colour presented on the front cover. The lack of colour here could suggest his emptiness. But
also his facial expressions appear very similar in the two. In the front cover
Kanye seems separated from the colour, he has a dark shadow surrounding him,
this could suggest his grown inability to let people in because of the thought
of life/love hurting him.


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